Le flâneur parisien
du XIXème siècle promenait spleen et idéal dans les passages parisiens.
Baudelaire a été un tel flâneur poétisant la ville de son regard, guettant
chocs et épiphanies. Walter Benjamin l’a raconté et théorisé. Ils sont toujours
modernes. Promenons-nous avec eux.
mardi
mercredi
Panda Bear meets The Grim Reaper
There’s
a big break in the album between “Come to your senses” and “Tropic of
cancer” (my favorite on this album). Is the middle of the album also the
moment of the meeting with
“the grim reaper”? The both sides are quite different (one very
urban-tensed, frenetic, the other more contemplative, like in a dark
water). You conceptualized these two parts?
Noah Lennox : The
middle of the album is definitely meant as the crux and the
transitional point. I was hoping that "Tropic of Cancer" and "Lonely
Wanderer" would represent the area in between
the old identity and the new one. As far as i’ve seen, it’s a cold and
barren place. The conceptualization came after the fact. Once we had
finished all the songs it was easier to try and find the story that the
sequence might tell. I guess I’m trying to say
I didn’t go into making the album thinking it would turn out this way.
But looking at the thing now I do feel like the first part of the album
represents an identity becoming disassembled to the point of psychosis.
Then the latter third of the album is the
reassembly.
Interview-portrait dans le dernier Trois Couleurs, consultable ici :
Libellés :
Article,
Panda Bear,
Trois Couleurs
mardi
Jean-Louis Murat
Jean-Louis Murat
revient avec un double album, Babel,
enregistré dans sa région, l’Auvergne, avec des musiciens locaux (le Delano
Orchestra, de Clermont-Ferrand), et explore comme jamais son territoire, entre
panthéisme et herborisation, idéal édénique et nostalgie d’un paradis perdu.
Extrait de l'interview réalisée avec Tom Gagnaire pour Chro #10 :
Libellés :
Article,
Chronicart,
Jean-Louis Murat
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